Recently I applied to get on a committee. A frightening experience indeed. I’m motivated to get amongst this world of Governance.
Anyhow, I think I let my confidence get in my way somewhat.
I had to do a presentation and some collaboration workshops. My presentation I began working on weeks in advance. I had a good story to tell. But was it enough? No I thought . I added more to the story but it was other things…distractions.
Then as there was so many applicants . Our presentations were cut from 5 to 3 minutes. I culled my presentation …well that’s a strong word. I kept on reading and deciding that deserves to stay…oh yeah that also. I forgot the rule
Introduction to me an the idea
Middle – flesh out the idea
End supporting the idea
All else I should have tossed. Then during the actual event I tried to cull it on the fly. I felt I hadn’t even begun.
Only get one chance at it really.
But I had all the time and more to get ready for that one chance.
I was in the middle of a conversation the other day with a colleague. I was trying to tell a story about getting on a water management committee.
It seemed like a millisecond but I began to reflect back when my colleague asked me. “You’ve always cared yes?”
But no I haven’t . In my last years at high school and the early years after leaving school. I wanted to toss in the towel and not be involved in this all consuming society that had polluted the world. This problem and had been illustrated in multiple ways during the school curriculum. To me the world was an ugly beast.
I did not want any part of it.
It’s not my fault.
And so began a lifestyle of well justified escapism and hedonistic behaviour.
My ambitions were to get a TEP scheme job that would see me employed for 6 months and then I could afford my hippy lifestyle of total abandon.
Or I was marking time until I turned 21. I could then apply to go to Art School and get into music and art big time.
In 1980 I took a trip to Dunedin to check out the scene.
That was a week of pure fun. Living life to the fullest on the fringes of reality. My survey was complete. No need to check out other options. Dunedin it was to be.
Between 1980 and 1983 were turbulent but. It seemed I had set up a plan. I only needed now to just have a fun and wait. Not a care in the world. A blur of living. Working partying and concerts, festivals hanging out.
I’m still in this reflecting millisecond and I notice something. In all my rejection of society and of it all, I seemed to care about me and my future. I had not tossed in the towel.
During my art school days I seemed to care more and more.
1984 I made an Arts School Magazine , got on to Student Council, took part in an Art festival had my first solo exhibition of a collection of ladders constructed from Manuka branches . I was looking at the battle between nature and our machines.
1986 was a founding member of Chippendale House an arts collective. Some great events during that period
Got involved in making music …became a drummer accidentally.
During this period I stil rejected society in general and thought I was not part of it and this was a new way.
A few events in 1986 led me to a big discovery. I could not reject it , I was not living outside of it. I was a part of it and also I did care very much.
It was a turning point. I think it was this period that I felt I wanted to get amongst it to become part of changing it from within.
Most importantly I did care and had for some time.
The goal of this new editor is to make adding rich content to WordPress simple and enjoyable. This whole post is composed of pieces of content—somewhat similar to LEGO bricks—that you can move around and interact with. Move your cursor around and you’ll notice the different blocks light up with outlines and arrows. Press the arrows to reposition blocks quickly, without fearing about losing things in the process of copying and pasting.
What you are reading now is a text block the most basic block of all. The text block has its own controls to be moved freely around the post…
… like this one, which is right aligned.
Headings are separate blocks as well, which helps with the outline and organisation of your content.
A Picture is Worth a Thousand Words
Handling images and media with the utmost care is a primary focus of the new editor. Hopefully, you’ll find aspects of adding captions or going full-width with your pictures much easier and robust than before.
Try selecting and removing or editing the caption, now you don’t have to be careful about selecting the image or other text by mistake and ruining the presentation.
The Inserter Tool
Imagine everything that WordPress can do is available to you quickly and in the same place on the interface. No need to figure out HTML tags, classes, or remember complicated shortcode syntax. That’s the spirit behind the inserter—the (+) button you’ll see around the editor—which allows you to browse all available content blocks and add them into your post. Plugins and themes are able to register their own, opening up all sort of possibilities for rich editing and publishing.
Go give it a try, you may discover things WordPress can already add into your posts that you didn’t know about. Here’s a short list of what you can currently find there:
Text & Headings
Images & Videos
Embeds, like YouTube, Tweets, or other WordPress posts.
Layout blocks, like Buttons, Hero Images, Separators, etc.
And Lists like this one of course 🙂
A huge benefit of blocks is that you can edit them in place and manipulate your content directly. Instead of having fields for editing things like the source of a quote, or the text of a button, you can directly change the content. Try editing the following quote:
The editor will endeavour to create a new page and post building experience that makes writing rich posts effortless, and has “blocks” to make it easy what today might take shortcodes, custom HTML, or “mystery meat” embed discovery.
Matt Mullenweg, 2017
The information corresponding to the source of the quote is a separate text field, similar to captions under images, so the structure of the quote is protected even if you select, modify, or remove the source. It’s always easy to add it back.
Blocks can be anything you need. For instance, you may want to add a subdued quote as part of the composition of your text, or you may prefer to display a giant stylised one. All of these options are available in the inserter.
You can change the amount of columns in your galleries by dragging a slider in the block inspector in the sidebar.
If you combine the new wide and full-wide alignments with galleries, you can create a very media rich layout, very quickly:
Sure, the full-wide image can be pretty big. But sometimes the image is worth it.
The above is a gallery with just two images. It’s an easier way to create visually appealing layouts, without having to deal with floats. You can also easily convert the gallery back to individual images again, by using the block switcher.
Any block can opt into these alignments. The embed block has them also, and is responsive out of the box:
You can build any block you like, static or dynamic, decorative or plain. Here’s a pullquote block:
If you want to learn more about how to build additional blocks, or if you are interested in helping with the project, head over to the GitHub repository.